How did Atlanta’s Pittsburgh and Adair Park neighborhoods become two of the city’s best venues for street art viewing?

Let’s start from the beginning: In the 1890s, an African American neighborhood south of Atlanta lived under a pervasive pall of smoke from the nearby Pegram railroad yard. The neighborhood’s nickname of “Pittsburgh” was probably not intended as a compliment, as Pittsburgh, Pennsylvania, was one of America’s most polluted cities at that time.

Immediately to the west, the all-white neighborhood of Adair Park was developed largely by real-estate speculator George Washington Adair, who increased the value of his property by building a horse-drawn trolley line to downtown.

Style writing samples by Untouched Letters on Humphries Street in the Pittsburgh neighborhood from the Crossroads Mural Festival. Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

In the 1960s and 1970s, both Pittsburgh and Adair Park fell into decline, then rebounded economically in the 2000s. In 2018, the twin neighborhoods began their metamorphosis into a street art hot spot when Mutiny Artwx, a creative space hosting artist studios, sponsored the “Artoberfest” mural festival along a 600-foot-long wall at MET Atlanta. Today, the two neighborhoods have a collection of murals that is the envy of most other Atlanta districts.

Many people helped bring about this transformation. Here are three:

George F. Baker III at work. Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

George F. Baker III

Artist George F. Baker III was born in Nebraska, raised in Detroit and moved to Atlanta in 2008. Baker painted four murals in Adair Park and one in Pittsburgh. He was influenced by the cartoons he watched as a child, and that happy childlike wonderment carries over into his art.

Like most of his murals, his Pittsburgh and Adair Park works are inspirational. The artist described his special connection to Adair Park in an Instagram post: “Adair Park was where I found solace in times of massive change. And it was where my dream started to crystalize. The neighborhood, the people, just everything helped make me who I am now.”

In 2021, when global art activation agency Muros approached Baker for a project in Atlanta, he knew exactly where he wanted to locate his mural depicting people enjoying various sports. Titled “The Jewel of Atlanta,” it faces the neighborhood’s largest park. “It is meant to christen the joy of play that is found in Adair Park,” Baker wrote on social media. “A place where the community creates and fosters nothing but a joyful energy throughout everyone who comes here.”

Work by George F. Baker III on Metropolitan Parkway. Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

Baker’s longest mural in this area is at the corner of Metropolitan Parkway and Shelton Avenue. Sponsored by Adidas in 2023, this floral themed expanse honors four ambassadors of the LEAD Center for Youth, which mentors at-risk African American youth through baseball. The quote on the mural reads, “You can give the world jewels to hold … but … Legacy is what you leave in people.”

Naomi

In 2022, art activist Naomi, founder of the Atlanta Style Writers Association, successfully pitched the idea for an annual celebration of graffiti to Atlanta Beltline Art, and the Atlanta StyleWriters Jam was born. This annual event is responsible for three graffiti installations in the Pittsburgh and Adair Park neighborhoods. Style writing is the top end of the graffiti spectrum ― skillfully and artistically executed with intricate designs.

Works from style writers on Warner Street. Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

Naomi (who asked to be referred to by first name only) enthusiastically talked about her organization but didn’t offer much about herself, simply saying, “It’s not about me; it’s about the style writing movement.”

The purpose of the Atlanta Style Writers Association is to elevate the style writing culture from within and to the public. In Naomi’s view, graffiti is never going to stop, and gentrification is never going to stop, so we should bring them together in a productive way.

The public-facing work of the Atlanta Style Writers Association includes educating people on how graffiti developed into style writing and eventually evolved into the street art that we know and many love today, including muralism. Other goals include erasing the negative stigma of graffiti, showing that graffiti is really an art form and raising the profile of as many style writers as possible from as many different eras and in as many ways as possible.

When Naomi, together with other respected members of the style writing community, curates the Atlanta StyleWriters Jam, she thinks in terms of three generations: the founders of the style writing movement, the contemporary writers and the kids who will become the next generation of writers.

Work by Born along Lee Street. Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

On Warner Street, the Jam features Untouched Letters, a modern graffiti crew with a still-evolving style influenced by Southern graffiti from the early 2000s. On Metropolitan Parkway under the Beltline, the artists on one side of the bridge include Sparky Z (one of Atlanta’s first writers from the ‘80s), Saves (another artist from the ‘80s influencing the younger generation) and S.V. (who brought a lot of graffiti knowledge to Atlanta from New York).

On the other side of the bridge is Wane, a New York subway painter from the ‘80s who now does murals all over the world in a deconstructed graffiti style. Under the Lee Street Bridge, you will see writers from a range of eras — for example, the United Kings crew (’80s), Born (early 2000s) and H Dawg (contemporary).

“My artwork is colorful and stupid,” says Chris Wright  (aka Chris Makes Art). Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

Chris Makes Art

Chris Wright (aka Chris Makes Art), together with fellow artist Dosa Kim, organized the Atlanta Crossroads Mural Festival in 2024, bringing more than 60 murals to Pittsburgh. A San Francisco native, Chris moved to Atlanta to attend SCAD.

“My artwork is colorful and stupid,” Chris said. “Lowbrow art sometimes with a message, but not necessarily. Always a little cheeky sense of humor. I had (plenty) of pretentious art in college, and I’ve always pushed back on that self-important (work). My goal is to be a huge disappointment to everyone trying to put art on a pedestal.”

In 2014, the Atlanta-based street art organization Living Walls sponsored a 270-foot-long mural on a building owned by Atlanta business owner Lou Holtz on Ralph David Abernathy Boulevard. The artwork had fallen into disrepair, so Holtz reached out to Chris to replace the mural, granting him artistic freedom. This was a great opportunity to turn the simple wall update into a major art event.

View of the Atlanta Crossroads Mural Festival down Ralph David Abernathy Boulevard. Courtesy of Arthur Rudick

Credit: Photo by Arthur Rudick

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Credit: Photo by Arthur Rudick

The Atlanta Crossroads Mural Festival expanded to two more buildings on Humphries Street, one owned by Holtz and the other by real-estate developer and business owner Sean Khademi. Sadly, Holtz passed away before the event date, so one of festival’s murals is a memorial to him.

Immediately to the left of that mural, Chris’ own mural shows his cheeky sense of humor: It depicts two beleaguered guys taking extreme measures to fend off a hoard of marauding insects.

Many art festivals exclude graffiti. As a historical reminder that today’s street art muralism evolved from graffiti, one of the event’s marquee walls features pieces by members of Untouched Letters.

Each work is stylistically unique, but they are all united by a common color palette. The background is a forest theme, complete with lurking woodland creatures. A graffiti crew was chosen because they work together harmoniously, whereas a random assortment of writers might be tough to wrangle.

So, if you visit Pittsburgh and Adair Park, your can view five of George F. Baker III’s walls, three installations from the Atlanta StyleWriters Jam and 60-plus murals from the Atlanta Crossroads Mural Festival.

Arthur Rudick created the Atlanta Street Art Map in 2017 after retiring from a successful career as an engineer with Eastman Kodak and the Coca-Cola Company. Included in the Street Art Map is a full, self-guided walking tour of Pittsburgh and Adair Park, accessible here. Rudick’s first experience of art was seeing an Alexander Calder mobile as a child in the Pittsburgh airport. Rudick is ArtsATL’s street art expert and a regular contributor.

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