Terminus’ new season steps out with new dancers and new ballets

From left, Terminus Modern Ballet Theatre dancers Christian Clark, Elizabeth Labovitz, Rachel Van Buskirk and Georgia Dalton. Van Buskirk will take her final bows with the company during a September performance. That will leave Clark as Terminus' last remaining co-founder dancing with the company. He will perform with Labovitz, Dalton and three new company members throughout the 2024-25 season.  Photo: Christina Massad

Credit: Christina Massad

Credit: Christina Massad

From left, Terminus Modern Ballet Theatre dancers Christian Clark, Elizabeth Labovitz, Rachel Van Buskirk and Georgia Dalton. Van Buskirk will take her final bows with the company during a September performance. That will leave Clark as Terminus' last remaining co-founder dancing with the company. He will perform with Labovitz, Dalton and three new company members throughout the 2024-25 season. Photo: Christina Massad

This story was originally published by ArtsATL.

Terminus Modern Ballet Theatre’s fall 2024 season includes four world premieres and a bittersweet farewell to one of the company’s co-founders, Rachel Van Buskirk. Two programs will be presented in two multi-weekend runs — one at TULA Art Center, the company’s Buckhead location, and one at the Pavilion at Serenbe.

Terminus Artistic Director John Welker said the programming is all about “new dancers, new voices.”

Terminus’ new recruits include Amalie Chase, who was a company protégé during the 2023-24 season; Alex Gonzaga, who has appeared several times as a guest artist; and Lenai Wilkerson, who made her way to Atlanta from Washington, D.C., by way of Ballet Hispánico and Cincinnati Ballet. Georgia Dalton and Elizabeth Labovitz, who were themselves new faces just last year, are returning.

Lenai Wilkerson is one of three new Terminus company members this season.

Credit: Courtesy of Terminus Modern Ballet Theatre

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Credit: Courtesy of Terminus Modern Ballet Theatre

Van Buskirk will perform on the ”Out of the Box II” program at Terminus’ intimate, immersive white-box space at TULA, taking her final bows with the company on September 22. After her departure, Christian Clark will be the only one of the five co-founders still performing with the company.

“Out of the Box II” is scheduled for six shows over two weekends — September 14-15 and September 21-22 — at Terminus’ base of operations in Buckhead. The bill includes two of the four new works the company commissioned for this season, one by Shane Urton, a dancer with the Royal Ballet of Flanders, and the other by Jennifer Archibald, choreographer-in-residence at Cincinnati Ballet. Urton’s piece had a successful and tantalizing work-in-progress showing during the ensemble’s inaugural “Out of the Box” series last year.

Welker previously commissioned a work from Archibald for Atlanta Ballet’s Wabi Sabi series 10 years ago. He said having the opportunity to work with her both when she was first making a name for herself as a choreographer and now that she is an established artistic voice has created a wonderful full-circle moment. “It is so inspiring to watch her process, to see how the dancers respond to her,” he says.

“Kryptos,” the second bill, will comprise 12 shows over three weekends — October 17-20, October 24-27 and October 31-November 3 — at Serenbe’s outdoor performance venue. Welker said that Heath Gill, another of the Terminus co-founders and now the rehearsal director at Orlando Ballet, is creating a “mystery-themed” ballet. It will debut on the “Kryptos” program alongside a new piece from Princess Grace Award-winner Jimmy Orrante, whom Welker commissioned for the company after being impressed by his work for advanced students in the Terminus Modern Ballet School.

Welker says with a laugh that working Gill’s Terminus commission into the former member’s packed schedule was a logistical challenge. “He may not even make it to his own premiere,” Welker says.

Gill’s calendar is also part of the reason why Terminus, for the second year in a row, will not be performing the holiday favorite “Marley Was Dead, To Begin With.” Gill’s unique take on Charles Dickens’ “A Christmas Carol” premiered on film in 2020 and live on stage in 2021.

With a brand new cast on the Terminus side and Gill’s obligations to Orlando Ballet during its own busy “Nutcracker” season, Welker couldn’t figure a way to make “Marley Was Dead” work this year.

As Welker describes it, both the company and the school have settled into the studios, office and performance space at TULA Arts Center, “kind of like a sophomore in high school.” Consequently, he views the fall season as an opportunity to build on the foundation that Terminus laid with its existing repertoire by commissioning new ballets that will bring new company members into the organizational fold.

“These dancers get to own this work that is created for them,” Welker says. “We have found our voice internally; so we can broaden our outreach and bring new people into the room.”

Welker adds that exploring Terminus’ internal voice through restaging existing repertoire continues to be important as well. That’s one way Gill and Van Buskirk will remain a core part of “the conversation we have with new choreographers and new dancers about who we are and what we’re doing.”

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Robin Wharton studied dance at the School of American Ballet and the Pacific Northwest Ballet School. As an undergraduate at Tulane University in New Orleans, she was a member of the Newcomb Dance Company. In addition to a bachelor of arts in English from Tulane, Robin holds a law degree and a Ph.D. in English, both from the University of Georgia.

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Credit: ArtsATL

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